关于谈SkillsExpression试述to试述the试述Different试述Singing试述Skills试述Chosen试述in试述Different试述Music试述Works毕业论文范文格式(2)

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谈SkillsExpression试述to试述the试述Different试述Singing试述Skills试述Chosen试述in试述Different试述Music试述Works毕业论文范文格式(2)

论文预读:g skill and true feelings. The dialectical relationship among skills, feelings, and performance in art was vividly generalized, and simultaneously the important role and position of "skills" in the vocal music art were demonstrated .  In European romanticism music art, the national music schools s谈SkillsExpression试述to试述the试述Different试述Singing试述Skills试述Chosen试述in试述Different试述Music试述Works毕业论文范文格式(2)

who was the world’s famous tenor singer, the strength of singing section A was controlled very properly relying on relaxed and soft voices; the continuous tunes were sung with gradually strong and gradually weak techniques according to the tune ups and downs; the feelings of missing and longing for the lover were kindly, vividly, and implicitly expressed in section B in the way of narration; the voices were forceful and powerful, and full and bright voice suddenly rose in high pitch, and the brilliance of the sun was expressed with the superb vocal skills so that the praise to the beloved girl was expressed; the final high pitch was extended freely, and the music and the feelings were promoted to the climax. As a Chinese saying goes, listeners will not be moved if there are no singing skill and true feelings. The dialectical relationship among skills, feelings, and performance in art was vividly generalized, and simultaneously the important role and position of "skills" in the vocal music art were demonstrated [3].

  In European romanticism music art, the national music schools such as Grieg’s Norway style, Liszt’s Hungary style, and Jean Sibelius’ Finnish style in different countries showed their own national style continuously, and these different national styles sourced from composer’s understanding and use of the unique national creation techniques. For example, Italian bel canto style depends on the purely "sound tones", natural pronunciation, and loud volume of singing skills, and contains proper resonance, mellow and full coherent tones, heavy tuning method, stable continuous tones, clever glide, regular fade-in and fade-out, and grace notes such as tremolo, appoggiatura, arpeggios, and echo. China is a country owning a large area of territory, and there is a big music style difference between different national minority groups and between different regions. In terms of the northern and southern dialects, the northern dialect features higher voice tone value and is full of great ups and downs, and also its language is concise and agile, and the tones and melodies jump frequently, because of the geographic factors; the southern dialect features multiple changing-ever tone values, and some even have seven-tone or nine-tone, the ups and downs of tones are small, and the common systematic tunes give top priority to stability and smoothness. As a result, for the same song Jasmine, it is sung in the southern dialect very delicately in terms of rhythm and melody and listens very gently, lovely, and beautifully, and also the tunes are stable, smooth, and gently; it listens very simply and nimbly in terms of rhythm and melody, the ups and downs of tones are great and seem to be very humorous, open, bright, and quick. The different language skills and tune embellishing skills formed in different dialects play a great effect on the formation of singing styles. According to different needs, these techniques can be appropriately used for expressing national or regional styles such as the use of falsetto in Hubei folk song Delicious Fish and Rice in Dongting Lake, the use of straight voice in Shaanxi folk song Yellow River Chantey, the use of glide in Jiaofu tone, the use of shouted singing in Yunnan folk song Putting Your Horse, and the use of Nasals in Hebei folk song Meng Jiangnu Cries at the Great Wall. The use of these unique skills in different music works gives an expression to the unique characters and styles. In the traditional style o

论文随机片段:ine, it is sung in the southern dialect very delicately in terms of rhythm and melody and listens very gently, lovely, and beautifully, and also the tunes are stable, smooth, and gently; it listens very simply and nimbly in terms of rhythm and melody, the ups and downs of tones are great and seem to